Getting Started...

The First Step: Writing a Script

I have made this letter longer than usual, because I lack the time to make it short.

These wise words from Blaise Pascal sum up the challenge of making a film for DepicT!, in some ways more difficult than making a longer short. A solid script is the essential backbone to any film, and working within a timeframe of only 90 seconds means that every line of dialogue and every shot must be carefully considered; there is no room for anything but the essentials! The best DepicT! entries have shown that even within this super-short format it’s still possible to fully and originally convey a story or an idea with the impact of a longer film. As Phil Hall, DepicT! ’02 Animation winner, says “…the more you re-write the less precious you get and the better you begin to see what works… When everything feels like it belongs… then you can start to make it all… that's the easy bit.”

The BBC WRITERSROOM has a great article on writing for short film, some of which is particularly relevant when starting on your DepicT! entry:

It’s worth thinking about: the simplicity, clarity and economy of the storytelling; the vision of the piece, and its visual images; making every element pertinent; making everything exist in sympathy with everything else. Make your story coherent.

It’s worth being careful of: conflicting and incoherent worlds; ideas that are too concept-driven; the lack of narrative engine and story; the lack of engaging character; the lack of focus and concision; action and repetition without meaning; descriptive dialogue; extended jokes with (usually unsatisfying) punch-lines. Again, make your story coherent.

Along with their complete filmmaking guide, BBC Film Network has recently published a comprehensive list of links useful for all stages of the scriptwriting process.

And, if you can make it to the Bristol area, don’t miss this opportunity to work with acclaimed screenwriters on developing your scripts:

EUROSCRIPT: THE COMEDY WRITING WEEKEND

A weekend of intensive hands-on exercises with tutors Paul Bassett Davies and Fenella Greenfield that will help you learn and improve the comedy writing skills needed to make your work funny in any style, genre or medium. Working alone, in pairs and in small groups, you'll practice writing jokes, quickies, sketches and a comedy monologue based on your own character. On day two, you'll design your own original sitcom and outline the plot for a pilot episode. Come armed with a pencil, paper and a list of everything you hate about your friends.

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